Set Time(s): Friday Ball (Rio Pavillion #1), 11pm
Brought together by the power of the internet (and perhaps a touch of musical providence), Cincinnati-based computer programmer int eighty and Manchester-area graphic designer c64 have been rocking the more studious side of the hip-hop underground since 2007. Their debut release Zero One - featuring Counter-Strike anthem "Hostage Down" and club banger "Give Me Wings" was summarily embraced by the tech set as a welcome shift in the contemporary hip-hop paradigm.
It's somehow only fitting that it wasn't until after the success of this musical social experiment that the members of Dual Core finally met face-to-face, further cementing both their unique friendship and the strength of their artistic collaboration. The group's follow-up, the Super Powers mixtape, combined eighty's skillful storytelling and 64's frenetic beats with additional contributions from nerdcore heavy-hitters YTCracker, ZeaLouS1, Beefy and MC Wreckshin, and precipitated a veritable flurry of major concert opportunities.
In the aftermath of Super Powers, Dual Core became the first nerdcore group to play both the main stages at Las Vegas's DEFCON, the world's largest hacker convention, and the CCC Camp hacker conference in Germany. The crush of gigs and the rabid response of new fans led to quick sell-outs of both albums. Thankfully, in 2008 Dual Core released their second full-length "Lost Reality" boasting hacker love song "My GF Is" and blistering posse cut "Fantastic Four" at Notacon in Cleveland, Ohio.
The duo continued to support the artistic triumph that was Lost Reality by gigging coast-to-coast at hacker conventions, technology conferences and even Orlando's Nerdapalooza, the world's only festival dedicated solely to the music of geeks and technophiles. By the release of 2009's epic follow-up Next Level, these venues, as well as media outlets like Wired.com and internet television network Revision3, had become old haunts to the duo and their unique sound.
With this fourth release, a collection of musings about the joys of music, the banality of the daily grind and the miracles of modern technology, Dual Core continue to exhibit the kind of artistic growth that is the very bedrock of all quality music. With sharper production and more cleverly calculated flows, it is a fitting soundtrack to the 21st century. In a world where the underground cultures of hip-hop and computer tech have leapt stylistic and scholarly boundaries to become the accepted parlance, their amalgamation is nothing short of expected. Yet somehow, Dual Core is scarcely what one would call predictable.